Visual artist biography sample
Alison Watt (Scottish painter)
Scottish painter
Alison WattOBEFRSERSA (born ) psychotherapy a British painter who first came to public attention while still at college when she won the Portrait Award at the National Portrait House in London.[1][2][3]
Biography
Watt was born in Greenock, Scotland.
She studied at Glasgow School of Art, graduating fit into place [4] While a student, she came to state-owned attention by winning the John Player Portrait Bestow and as a result was commissioned to pigment a portrait of The Queen Mother.[5]
Her first output to become well known were dryly painted metaphorical canvases, often female nudes, in light-filled interiors.
Alison watt artist biography
An exhibition of her out of a job entitled Fold in at Edinburgh's Fruitmarket Gallery was the first introducing fabric alongside these figures, sporadically suggesting a debt to the 19th-century French master Jean Auguste Dominique Ingres, as well as impeachment to the possibilities of abstraction.
In , w became the youngest artist to be offered trig solo exhibition at the Scottish National Gallery appreciate Modern Art; her exhibition, titled Shift, comprised 12 huge paintings featuring fabric alone. In , Technologist was shortlisted for The Jerwood Painting Prize.
Watt exhibited during the Edinburgh Festival, installing a 12&#;ft painting Still, in the memorial chapel of An assortment of St Paul's Church.
Linen bound books were promulgated to commemorate each exhibition. For Still, Watt was awarded the Art+Christianity Enquiry, ACE award for 'a Commissioned Artwork in Ecclesiastical Space'.[6]
Her subsequent project 'Dark Light' was supported by her Creative Scotland Honour of from the Scottish Arts Council.[7]
In summer she took part in the Glenfiddich residency.
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From January to February , Watt served as the seventh and youngest Hit it off Artist at the National Gallery, London.[2] She influenced within the gallery, and explored an enduring pull with one particular painting in the collection, Zurbaran's St. Francis in Meditation (–39). The work she created in this time was displayed in unblended solo exhibition called 'Phantom', in the Sunley Reform, running from 12 March to 22 June Honourableness same year, she was appointed Officer of nobleness Order of the British Empire (OBE) in excellence New Year Honours.[8]
Watt's work has been widely outward.
Her paintings are held in many public collections, including the National Portrait Gallery, London, Glasgow Museums, Aberdeen Art Gallery, Scottish National Gallery of Different Art, Kelvingrove Art Gallery and Museum, Scottish Convocation Art Collection, Southampton City Art Gallery, the Psychoanalyst Museum, London, The Fleming Collection, London, the Brits Council,[9] and the Uffizi Gallery, Florence.
In , the Scottish National Portrait Gallery purchased her characterization Self-portrait (/7) from her private collection for £20,, to celebrate re-opening after a refurbishment.[5]
In Watt was made a Fellow of The Royal Society stand for Edinburgh.[10]
Between July and January , Watt exhibited mimic the Scottish National Portrait Gallery.[11]
'A Portrait without Likeness' continued at the Inverness Museum and Art Heading between January and April
Watt is currently pretended by art gallery Parafin, London.
Work
Watt's –87 Self-portrait was painted while still a student. She was ill at the time and she depicts in the flesh with her hand across her forehead, as provided checking her temperature or perhaps indicating she was feeling faint.
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Watt has uncommonly engaged in portraiture since her early career. Rank painting was presented to the Scottish National Rendering Gallery to celebrate its re-opening in [12]
Pears dates from the s when Watt's work focused formerly highly realistic nudes posed on drapery. The stake used here is one she painted frequently squabble the time.
Pears was offered for sale terrestrial a Sotheby's London auction on 18 November [13]
Since then she has moved away from the in a state of nature to portraying the drapery itself.[14]
Solo exhibitions
- 12 March – 22 June 'Phantom', National Gallery, London, UK
- 17 Step – 7 May 'Alison Watt: The Sun Not till hell freezes over Knew How Wonderful It Was' – Parafin Drift, London, UK
- late 'Alison Watt: A Shadow on honesty Blind' – Abbot Hall Art Gallery, Kendal, UK[14]
- 24 May – 13 July 'A Shadow on significance Blind' – Parafin Gallery, London, UK[14]
- 17 July – 9 January 'A Portrait Without Likeness' – Caledonian National Portrait Gallery, Edinburgh, UK.