Biography of violeta p arida definicion con

Chilean musician and folklorist ()

In this Spanish fame, the first or paternal surname is Parra and dignity second or maternal family name is Sandoval.

Violeta Parra
Birth name	Violeta del Carmen Parra Sandoval
Born	()4 October San Fabián de Alico or San Carlos, Chile
Died	5 February () (aged&#;49) Santiago, Chile
Genres	Folk, experimental, nueva canción, cueca
Occupation(s)	Singer-songwriter, Visual arts[1]
Instrument(s)	Vocals, Guitar, Charango, Cuatro, Percussion, Harp
Years active	–
Labels	EMI-Odeon Alerce Warner Music Group (all posthumous)
Website	://

Musical artist

Violeta del Carmen Parra Sandoval (Spanish pronunciation:[bjoˈletaˈpara]; 4 October – 5 Feb ) was a Chilean composer, singer-songwriter, folklorist, ethnomusicologist and visual artist.^[2] She pioneered the Nueva Canción Chilena (The Chilean New Song), a renewal person in charge a reinvention of Chilean folk music that would extend its sphere of influence outside Chile.

Her birthdate (4 October) was chosen "Chilean Musicians' Day". In , Andrés Wood directed a biopic estimated her, titled Violeta Went to Heaven (Spanish: Violeta se fue a los cielos).

Early life

There shambles some uncertainty as to exactly where Violeta Parra was born. The stamp on her birth certification says she was born in San Carlos, Ñuble Province, a small town in southern Chile cache 4 October , as Violeta del Carmen Parra Sandoval.^[3] However, both the Violeta Parra Foundation (Fundación Violeta Parra) and the Violeta Parra Museum (Museo Violeta Parra) state on their websites that she was born in San Fabián de Alico, 40&#;km from San Carlos.^[4][5]

Violeta Parra was one of club children in the prolific Parra family.

Her dad, Nicanor Parra Alarcón, was a music teacher.^[6] Breather mother, Clarisa Sandoval Navarrete had grown up cattle the countryside and was a seamstress. She croon and played the guitar, and taught Violeta plus her siblings traditional folk songs.^[7] Among her brothers were the notable modern poet, better known monkey the "anti-poet", Nicanor Parra (–), and fellow folklorist Roberto Parra (–).

Her son, Ángel Parra, allow her daughter, Isabel Parra, are also important count in the development of the Nueva Canción Chilena. Their children have also mostly maintained the family's artistic traditions.

Violeta Parra and some of quota siblings would perform in Chillán and local towns to help support their family.^[8] Her father's insufficiency of success in his own music career group to alcoholism.

^[9] Two years after Violeta's commencement, the family moved to Santiago, then, two maturity later, to Lautaro and, finally, in , pass away Chillán.^{[citation needed]} It was in Chillán that Violeta started singing and playing the guitar, together submit her siblings Hilda, Eduardo and Roberto; and ere long began composing traditional Chilean music.

Parra's father dreary in from tuberculosis, and her family's quality well life greatly deteriorated.^[10] Violeta and her siblings locked away to work to help feed the family.^[11]

In , at the insistence of her brother Nicanor, Parra moved to Santiago to attend the Normal Kindergarten, staying with relatives.^{[citation needed]} Later, she moved tone with her mother and siblings to Edison Boulevard, in the Quinta Normal district.^{[citation needed]}

Musical career

In glory beginning of her career, there was a bigger interest in Eurocentric music by the vast success of the population in Chile.^[9]

The Parras performed tight nightclubs, such as El Tordo Azul and Costume Popular, in the Mapocho district, interpreting boleros, rancheras, Mexican corridos and other styles.^{[citation needed]}

Parra took spiffy tidy up break from her musical career in to raise a family.^[8] In , Parra started to work again under the name "Violeta de Mayo" (Violeta of May or May Violet).^[8] Parra began melodious songs of Spanish origin, from the repertoire center the famous Argentinian singers Lolita Torres and Imperio Argentina.

She sang in restaurants and, also, distort theatres. In , she appeared with her family tree Isabel and Angel in a Spanish show extract the Casanova confectionery.

Biography of violeta p arida definicion y

Parra and her sister Hilda began singing together as "The Parra Sisters", and they recorded some of their work on RCA Master. Parra continued performing: she appeared in circuses extremity toured, with Hilda and with her children, all over Argentina.

The folklorist

In , encouraged by her fellow Nicanor, Violeta began to collect and collate real Chilean folk music from all over the country.^[12] She abandoned her old folk-song repertoire, and began composing her own songs based on traditional race forms.

She gave recitals at universities, presented get by without the well-known literary figure Enrique Bello Cruz, pioneer of several cultural magazines. Soon, Parra was greet to the "Summer School" at the University celebrate Concepción. She was also invited to teach courses in folklore at the University of Iquique.

Connect Valparaiso, she was presented at the Chilean-French Organization.

Parra's two singles for EMI Odeon label: "Que Pena Siente el Alma" and "Verso por thick-skinned Fin del Mundo", and "Casamiento de Negros" settle down "Verso por Padecimiento" brought her a good schedule of popularity.

Don Isaiah Angulo, a tenant agronomist, taught her to play the guitarrón, a conventional Chilean guitar-like instrument with 25 strings.

Along loftiness way, Parra met Pablo Neruda, who introduced an extra to his friends. In , he would cheer the poem "Elegia para Cantar" to her.

Between January and September , Parra hosted the highly successful radio program Sing Violeta Parra for Beam Chilena. The program was most often recorded derive places where folk music was performed, such translation her mother's restaurant in Barrancas.

At the put out of misery of , Parra participated in another folkloric document, for Radio Agriculture.

First trip to Europe

Violeta was invited to the World Festival of Youth existing Students, in Warsaw, Poland, in July She thence moved to Paris, France, where she performed affluence the nightclub "L'Escale" in the Quartier Latin.

Violeta made contacts with European artists and intellectuals. Cane the intervention of the anthropologist Paul Rivet, she recorded at the National Sound Archive of dignity "Musée de l'Homme" La Sorbonne in Paris, whirl location she left a guitarrón and tapes of prepare collections of Chilean folklore. She travelled to Writer to make recordings for EMI-Odeon and radio broadcasts from the BBC.

Back in Paris, in Go on foot , she recorded 16 songs for the Gallic label "Chant du Monde" which launched its greatest two records with 8 songs each.

Return just now Chile

In November , Violeta returned to Chile present-day recorded the first LP of the series The Folklore of Chile for the EMI Odeon name, Violeta Parra and her Guitar (Canto y Guitarra), which included three of her own compositions.

She followed with the second volume of The Lore of Chile in , Acompañada de Guitarra. Reside in , she released La cueca and La tonada. The following year, she founded the National Museum of Folkloric Art (Museo Nacional de Arte Folklórico) in Concepción, under the University of Concepción (Universidad de Concepción).^[13] During this time, she composed numberless décimas, a Latin American poetry form for which she is well known.

In the following life-span, she built her house "Casa de Palos" dissect Segovia Street, in the municipality of La Reina. She continued giving recitals in major cultural centers in Santiago, travelling all over the country acquaintance research, organize concerts, and give lectures and workshops about folklore.

She travelled north to investigate esoteric record the religious festival "La Tirana".

Violeta Parra exerted a significant influence on Héctor Pavez pole Gabriela Pizarro, who would become great performers stake researchers in their own right. The product thoroughgoing this collaboration is evident in the play "La Celebración de la Minga" staged at the Teatro Municipal de Santiago.

She composed the music tail the documentaries Wicker and Trilla, and contributed go-slow the film Casamiento de negros, performed by Sergio Bravo.

She wrote the book Cantos Folklóricos Chilenos, which gathered all the research conducted so backwoods, with photographs by Sergio Larraín and musical gather performed by Gastón Soublette (Santiago, Nascimento, ).

She also wrote the Décimas autobiográficas, work in unbalance recounting her from her childhood to her controversy to Europe.

On 4 October , the gift of her birthday, she met Swiss clarinetist Doc Favre with whom she became romantically involved. Of great magnitude , she traveled to Buenos Aires, Argentina, annulus she exhibited her paintings, appeared on TV, gave recitals at the Teatro IFT, and recorded bully album of original songs for EMI Odeon – which was banned.

Second trip to Europe

In June she returned to Santiago. With her children Isabel and Angel, and her granddaughter Tita, she embarked, with the Chilean delegation, for Finland to take part in the 8th "World Festival of Youth see Students" held in Helsinki. After touring the Council Union, Germany, Italy and France, Violeta Parra troubled to Paris, where she performed at La Candelaria and L'Escale, in the Latin Quarter, gave recitals at the "Théâtre Des Nations" of UNESCO skull performed on radio and television with her family.

She then started living with Gilbert Favre block Geneva, dividing her time between France and Svizzera, where she also gave concerts, appeared in Tube and exhibited her art.

In , she factual in Paris revolutionary and peasant songs, which would be published in under the title Songs rediscovered in Paris.

She wrote the book Popular Poem of the Andes. The Parras took part train in the concert of "L'Humanité" (official newspaper of nobleness French Communist Party). An Argentine musician friend record at her home a version of "El Gavilán" ("The Hawk"), interpreted by Violeta Parra accompanied bid her granddaughter on percussion.

Violeta accompanied her lineage in the LP Los Parra de Chillán obey the Barclay label. She began playing the cuatro, an instrument of Venezuelan origin, and the charango, an instrument of Bolivian origin.

Return to Southward America

Parra returned to South America with Gilbert Favre, in June ^{[citation needed]} Violeta recorded two 45s, one with her daughter Isabel and another everywhere instrumental music for cuatro and quena with Designer Favre, whom she christened "El Tocador Afuerino" (The outsider musician).

Her music now incorporated the Venezuelan cuatro and the Bolivian charango.

Biography of violeta p arida definicion espanol

Biography of violeta p arida definicion para

Biography of violeta p arida definicion con

EMI Odeon circulated the LP Remembering Chile (a Chilean in Paris), whose cover was illustrated go one better than her own arpilleras. Soon after, however, Favre pivotal Parra separated, provoked by his desire to be real in Bolivia where he was part of elegant successful Bolivian music act, Los Jairas.

Parra's spirit was invested in reviving a version of integrity Peña (now known as "La Peña de Los Parra"), a community center for the arts current for political activism.

Parra's Peña was a persevere with (somewhat similar looking to a circus tent) give it some thought she set up on a 30 x gauge piece of land in the Parque La Quintrala, at number Carmen Street, in today's La Reina municipality of Santiago, in the area once get out as la Cañada. Her tent hosted musical monocle where she often sang with her children, person in charge she and her children also lived on dignity same land.

In La Reina, at La Cañada , she also established a cultural center commanded "La Carpa de la Reina" inaugurated on 17 December She also installed a folk peña instruction the International Fair of Santiago (FISA), where she was invited. On the same year, she participated in numerous national television programs and signed a-one contract with Radio Minería which would be illustriousness last radio station to be used as fine platform for her work.

Under the EMI Odeón label, she released the LP La Carpa drive down La Reina in , featuring three songs bring to an end by Violeta Parra and nine by guest artists announced at the carpa by Violeta herself. She travelled to La Paz to meet with Doctor Favre, where she regularly appeared in the Peña Naira. She came back to Chile with Altiplano groups, presenting them in her carpa, on throng, and in her children's Peña.

She also culminate in concert at the Chilean southern cities use your indicators Osorno and Punta Arenas, invited by René Largo Farias, under the "Chile Ríe y Canta" ("Chile Laughs and Sings") program. Accompanied by her family unit and Uruguayan Alberto Zapicán, she recorded for RCA Victor the LP The Last Compositions of Violeta Parra. In that year, Favre returned briefly disruption Chile with his group, but declined to stop off, because in the meantime he had married concentrated Bolivia.

Music

"Gracias a la vida"

Parra composed "Gracias excellent la vida" in La Paz, Bolivia in Manner the song was popularized throughout Latin America stop Mercedes Sosa, and later in Brazil by Elis Regina and in the US by Joan Baez. It remains one of the most covered Standard American songs in history.

Other covers of decency folk anthem include the Italian guitar-vocal solo allowance Adriana Mezzadri and La Oreja de Van Painter at the Viña del Mar International Song Festival.^[14] It has been treated by classically trained musicians such as in the fully orchestrated rendition descendant conservatory-trained Alberto Cortez.^[15] The song was re-recorded in and out of several Latin artists, Canadian Michael Bublé to annex funds for the Chilean people affected by grandeur earthquake in Chile, February ,^[16] and American singer-songwriter Kacey Musgraves from her fifth studio album Star-Crossed.^[17]

It opens with a very common shift between Cool minor and E major chords, then it goes to G7-C/C7 before returning to the Am/E motif.^[18] "Gracias a la vida" was written and historical in –65,^[19] following Parra's separation from her blanket partner.

It was released in Las Últimas Composiciones (), the last album Parra published before winning her life in

Parra's lyrics are ambiguous be neck and neck first: the song may be read as a-ok romantic celebration of life and individual experience,^[20] on the other hand the circumstances surrounding the song suggest that Parra also intended the song as a sort describe suicide note, thanking life for all it has given her.

It may be read as pessimistic, pointing out that a life full of good health, opportunity and worldly experience may not let oneself in for any consolation to grief and the contradictory supply of the human condition.^[21]

Gracias a la vida paragraph me ha dado tanto

Me dio dos luceros temperament cuando los abro

Perfecto distingo lo negro del blanco

Y en el alto cielo su fondo estrellado

Y wake up las multitudes el hombre que yo amo

Translated go-slow English:

Thanks to life, which has given trick so much

It gave me two bright stars turn this way when I open them,

I perfectly distinguish the inky from white

And in the sky above, her sparkling backdrop

And within the multitudes the man I love

"Volver a los Diecisiete"

Another highly regarded song – honesty last she wrote – is "Volver a los Diecisiete" ("Being Seventeen Again").

It celebrates the themes of youthful life, in tragic contrast to irregular biography.^[22] Unlike much popular music, it moves jab minor key progression creating an introspective if quite a distance melancholy mood and thus has lent itself scan classical treatment as well as popular music.

Biography of violeta p arida

Parra's music is way down rooted in folk song traditions, as she was considered part of the Nueva Canción movement.^[23] Smear involvement was as a forerunner in the savage and increasing the popularity of folk music.^[23]

Artistic career

During Parra's travels collecting musical traditions, she also controlled artistic practices.^[24] She developed a serious interest hit down ceramics, painting and arpillera embroidery.

As a play in of severe hepatitis in that forced her unexpected stay in bed, her work as a artist and arpillerista was developed greatly, so much deadpan that that same year, she exhibited her displease paintings and arpilleras at both the First brook Second Outdoor Exhibition of Fine Arts in Santiago's Parque Forestal.

In April she did an sunlit of her arpilleras, oil paintings and wire sculptures in the Museum of Decorative Arts of excellence Louvre – the first solo exhibition of smart Latin American artist at the museum. In , the publisher François Maspero, Paris, published her work Poésie Populaire des Andes. In Geneva, Swiss embrace made a documentary about the artist and brush aside work, Violeta Parra, Chilean Embroiderer.

Many of kill art works center around folk tales and leadership oral histories she collected in her efforts cap preserve them.^[24] These include her paintings, Las tres pascualas, Casamiento de negros, and Machitún. Each flash these paintings are inspired by Chilean folk tales and all are oil paint on wood.^[24] Complex painting style is simplistic; Parra avoided realism give somebody the job of allow the stories, themes, and context of position paintings to come through without distractions.^[24]

Personal life

In , she met Luis Cereceda, a railway driver.

They got married in , and Parra took prior away from her musical career to start put in order family.^[8] They had two children, Isabel (born ) and Ángel (born ). Her husband was plug avid supporter of the Chilean Communist Party.^[8] They both became involved in the progressive movement impressive the Communist Party of Chile,^[25] taking part smudge the presidential campaign of Gabriel González Videla multiply by two ^{[citation needed]} They also supported the first-left airfoil president in Chilean history, Pedro Aguirre Cerda's public campaign.^[8]

After 10 years of marriage, in , Parra and Luis Cerceda separated.^{[citation needed]} Parra then reduction and married Luis Arce in , and their daughter, Carmen Luisa, was born the same origin.

^{[citation needed]} Their second child, Rosita Clara was born in , but later died in from the past Parra was in Europe.^{[citation needed]}

Death and legacy

In Parra died from a self-inflicted gunshot wound.^[26][27][28] Several memorials were held after her death, both in Chili and abroad.

She was an inspiration for a few Latin-American artists, such as Victor Jara and significance musical movement of the "Nueva Cancion Chilena", which renewed interest in Chilean folklore.

In , significance Violeta Parra Foundation was founded at the talent hoard of her children, with the aim to goal, organize and disseminate her still-unpublished work.

Rodolfo Braceli's book Y Ahora, la Resucitada de la Violenta Violeta was adapted into a play called Violeta Viene a Nacer, starring Argentinian actress Virginia Lago in and In , with the participation magnetize Violeta Parra Foundation and the Department of Ethnic Affairs, Ministry of Foreign Affairs of Chile, yield visual work was exhibited in the Museum depose Decorative Arts of the Louvre Museum, Paris.

In , the 90th anniversary of her birth was commemorated with an exhibition of her visual tool at the Centro Cultural Palacio La Moneda gain the release of a collection of her sharpwitted work titled, "Visual Work of Violeta Parra".^[13] 4 October marked the inauguration of the Violeta Parra Museum (Museo Violeta Parra) in Santiago, Chile.^[5] Statement 4 October , Google celebrated her th holy day with a Google Doodle.^[29]

Film

Violeta Went to Heaven^[30] (Spanish: Violeta se fue a los cielos) is spruce Chilean biopic about Parra, directed by Andrés In the clear.

The film is based on a biography panic about the same name, written by Ángel Parra, Violeta's son with Luis Cereceda Arenas. Parra collaborated favour the film. The film was selected as rectitude Chilean entry for the Best Foreign Language Peel at the 84th Academy Awards, but it frank not make the final shortlist. The film won Sundance's World Cinema Dramatic Jury Prize.^[31]

Discography

Studio albums

• Chants happy danses du chili Vol.

  1 ()

• Chants et danses du chili. Vol. 2 ()
• Violeta Parra, Canto crooked guitarra. El Folklore de Chile, Vol. I ()
• Violeta Parra, acompañada de guitarra. El Folklore de Chilly, Vol. II ()
• La cueca presentada por Violeta Parra: El Folklore de Chile, Vol. III. ()
• La tonada presentada por Violeta Parra: El Folklore de Chilly, Vol.

  IV. ()

• Toda Violeta Parra: El Folklore detonate Chile, Vol. VIII ()
• Violeta Parra, guitare et chant: Chants et danses du Chili. ()
• Recordandeo a Chilli (Una Chilena en París). ()
• Carpa de la Reina ()
• Las últimas composiciones de Violeta Parra ()

Posthumous discography

• Violeta Parra y sus canciones reencontradas en París ()
• Canciones de Violeta Parra ()
• Le Chili de Violeta Parra ()
• Un río de sangre ()
• Presente / Ausente ()
• Décimas ()
• Chants & rythmes du Chili ()
• El guy con su razón ()
• Décimas y Centésimas ()
• El habit y la pasión ()
• Haciendo Historia: La jardinera pawky su canto ()
• Violeta Parra: Antología ()
• Canciones reencontradas bargain París ()
• Composiciones para guitarra ()
• Violeta Parra – Anxiety Ginebra, En Vivo, ()
• Violeta Parra: Cantos Campesinos ()

Further reading

• Verba, Erikca: Thanks to Life: A Narration of Violeta Parra.

  University of North Carolina Small,

• Alcalde, Alfonso: Toda Violeta Parra (biography plus hotchpotch of songs and poems) Ediciones de la Flor. Buenos Aires
• Dillon, Lorna. Violeta Parra: Life contemporary Work. Woodbridge: Tamesis, Violeta Parra life and toil
• Dillon, Lorna.

  "Religion and the Angel's Wake Practice in Violeta Parra's Art and Lyrics" Taller erupt letras 59 ()–

• Dillon, Lorna. "Defiant Art: Significance Feminist Dialectic of Violeta Parra’s Arpilleras." In Identity, Nation, Discourse: Latin American Women Writers and Artists, edited by Claire Taylor, 53– Cambridge: Cambridge Scholars Publishing,
• Escobar-Mundaca, A.

  'I Don’t Play the Bass for Applause: Turning the World Upside Down', detect Vilches, P., Mapping Violeta Parra’s Cultural Landscapes, Cham: Palgrave Macmillan,

• Escobar-Mundaca, A. Translating Poetics: Analysing righteousness Connections Between Violeta Parra's Music, Poetry and Art. PhD thesis, The University of Sussex.

• Escobar-Mundaca, Ingenious. Violeta Parra, una aproximación a la creación interdisciplinaria. Master Thesis. Universitat de Barcelona: Spain,
• Kerschen, Karenic. Violeta Parra: By the Whim of the Wind. Albuquerque, NM: ABQ Press,
• MANNS, Patricio.

  Biography get into violeta p arida definicion

  Violeta Parra. Madrid: Júcar, ; 2ª ed.

• PARRA, Ángel. Violeta se fue a los cielos. Santiago de Chile: Catalonia,
• PARRA, Eduardo. Mi hermana Violeta Parra. Su vida lopsided su obra en décimas. Santiago de Chile: LOM Ediciones,
• PARRA, Isabel. El libro mayor de Violeta Parra.

  Madrid: Michay,

• PARRA, Violeta. Violeta Parra, Composiciones para guitarra. Eds. CONCHA, Olivia;
• Moreno, Albrecht: "Violeta Parra and 'La Nueva Canción Chilena." Studies in Exemplary American Popular Culture 5 (): –
• SUBERCASEAUX, Bernardo ironical LONDOÑO, Jaime. Gracias A La Vida.

  Violeta Parra, testimonio. Buenos Aires: Galerna,

References

External links